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A Cry in
the Dark
Edel Brosnan describes a year of watching
grown-up movies at parent-baby cinema screenings, surrounded
by her own and other people's children.
Cyril Connolly once said that the greatest enemy of art is
the pram in the hall. Clearly, he never met Francis Ford Coppola,
or Jim Sheridan to name just two filmmakers who carried
on being creative long after their children arrived. Making
movies is one thing however; actually going to the cinema
when you have a small baby is another matter entirely. But
thanks to parent-baby screenings, I am still getting my weekly
fix of first-run films for adults.
Inspired by the success of parent-baby cinema clubs in New
York, cinema chains in the UK and Ireland are now offering
daytime screenings for the parents of babies and toddlers.
According to the London-based independent Picturehouse chain,
these screenings are 'a chance to catch a film
in a
relaxed atmosphere
without finding a babysitter.' Multiplex
giants such as the Odeon are also getting in on the act, while
Huggies now sponsor 'Big Scream' screenings at mainstream
and arthouse cinemas countrywide. Likewise, In Ireland, cinemas
have signed up to 'Reel Parents': a movie-going opportunity
where 'it's okay for babies to sleep, feed and cry' without
being glared at.
Babies themselves tend to ignore the film they are too busy sleeping, or eating, or testing the acoustics
in the auditorium. My daughter was fascinated by the art-deco
light fittings on the ceiling, but showed no interest in the
films we saw together. According to child psychologists, children
under a year old can recognise a TV screen image, but the
oversized image on a cinema screen is, in their eyes, a random
arrangement of colour and light. So you can take a baby to
a film rated15 or 18 with a clear conscience.
The full article is printed in Film Ireland
108.
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