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Issue 111: July/August
2006 Contents:
Rhapsody
in Black and Tan The Wind that Shakes the
Barley is the story of two brothers torn apart by the Civil
War. Director Ken Loach and writer Paul Laverty talked with
Paula Shields following their Palme d'Or win.Extract
Dylan Moran Speaks with the Fishes
Carol Murphy talks to Moran about his film career to date, and
particularly his decision to act in William Sinclair's short
film. Extract
There's no Such Thing as Real Silence Ardmore
Sound has been a vital part of the Irish film industry since
1995. Nerea Aymerich travelled to their studios to learn a little
more about the importance of post-production sound.Extract
The Adman Cometh Enda
McCallion is an in-demand commercials director whose latest
work is the high-profile Ryder Cup advert. Aidan Beatty talks
to him about his move into features.
Extract
Locating Jane Film
Ireland travelled to Higginsbrook in Co. Meath to visit
the location for Jane Austen's house in Becoming Jane,
and talk to location manager Manus Hingerty about the work of
the locations department.
Extract
Northern Exposure In
the light of Northern Ireland's increased exposure on-screen,
Michael Open casts an eye over the state of production in the
North, and talks with NIFTC Chief Executive Richard Williams.Extract
Start
the Short Revolution!
Esther
Terradas presents a practical guide to short film funding, with
words of advice from short film producers.
Plus a commentary by short film specialist Jennie McGinn.
Extract
Making Politics Personal
The work of writer/director Terry George gives a human
face to political ideas. He talks to Seán McCarthy
about his film career to date, and his thoughts on contemporary
western society.
Extract
Yellow Barley into Golden Palm Average Almodóvar, daring Dumont, and a gong
for Ireland. Séamas McSwiney reports from the 2006
Festival de Cannes - a triumphant year for Ireland. Extract
Otaku
Rising The graphic style known as 'manga' or 'anime' has come
a long way from its comic-strip origins; Niall Kitson provides
an introduction to what is now a worlwide visual phenomenon.
Extract