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Behind the
Mask
He was one of the Hollywood's raging bulls
during the 1970s before a spectacular fall from grace. Only
now is Peter Bogdanovich ready for a comeback, writes Pavel
Barter.
Peter Bogdanovich sidles
up to the table with a muskrat grin. 'You're Irish? I think
I was Irish once. I don't know what the hell I am now, though.'
With thick-rimmed glasses framing a face that recalls Woody
Allen by way of Rick Moranis, the 67 year-old actor/director/writer
possesses a charm that could kindle fires. With his laidback
manner and stories of beauty and horror, this old raconteur
is a fantastic companion in conversation, although at times
he seems a little fragile and exhausted not from a
busy night before, more so a life that has spun in tumble-dry
cycles.
'I had some bad luck in the 1980s a lot of personal bad
luck, which set me back the murder and so on, that took
a long time to recover from,' he says, casting his eyes toward
the middle distance. How is he now? 'Thank you for your interest,
I'm still alive and going forward. They can't keep a good man
down.'
Bogdanovich has been enjoying
a renaissance of late playing psychiatrist Elliot Kupferberg
in TV drama The Sopranos, and has four movies currently
in production. He also plans to direct a few films that are
'very personal'. Top that with television hosting, book publishing,
and two documentaries one, a revised version of Directed
by John Ford (1971), the other a 30th Anniversary on-the-road
diary of rock 'n' roll outfit Tom Petty & The Heartbreakers
and we're left with the most active pensioner since
Hugh Hefner.
However, Bogdanovich approaches
movie biz work with gritted teeth. 'The business has become
stupid. Most films are quite bad. It's an unfortunate world
that we live in, in terms of American movies. This whole concept
of having to open a picture wide immediately, having to appeal
to 4,000 screens, is a crazy way to make movies. It's a box
office hit parade.'
The full article is printed in Film Ireland
112.
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