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Issue 113: November/December
2006 – Contents:
Acting
Holy Although hesitant when discussing
acting, his style, or his starring role in Brian Kirk's Middletown,
Matthew Macfayden still has a lot to say to Sheena Sweeney.Extract
Female
Gaze Red Road is a part of
'The Advance Party', a new scheme devised by veteran dogme filmmakers.
Director Andrea Arnold met up with Sheena Sweeney at the Cork
Film Festival.Extract
In(ternet)dependent Donal
Foreman investigates the new accessibility the internet provides,
and profiles three of the web's foremost self-distributed independent
filmmakers.
Extract
Filmmakers'
Toolbox The
internet holds a wealth of tools for filmmakers, many of them
free or very low-cost. Victoria Parks-Murphy reports on some
of the most useful.Extract
If
You Want It, Come and Get It
Lir Mac Cárthaigh talked to Nobody Wants Your Film
director Peter Judson about low-budget filmmaking, the perils
of distribution and reaching an international audience through
the internet.Extract
Netmovies The
information superhighway has much to offer the cinephile; Michael
Open presents a roadmap of some of the hotspots.
Extract
We
Make Films, Not Websites Basil
Al-Rawi looks at the different ways in which established filmmakers
are using the web, and notes whether they provide content or
just discontent.
Extract
Tubular
The biggest moving-image phenomenon of the moment starts
with 'You' and ends with $1.65bn. Niall Kitson follows YouTube's
progress and presents the story so far… the short version.
Extract
How the Film Industry Learned to Love
the Web Feargal McKay investigates internet movie marketing,
from The Blair Witch Project to Snakes on a Plane.
Extract
Maintaining
Focus Sharp Focus, a cross-border art project bringing community
groups together with experienced filmmakers, has come to and
end of its three-year run. Niamh Creely looks back on the project
and talks to some of those involved. Extract
