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Issue
90: January/February
2003 - Contents:
An
A-Z of Low and Micro Inspiration
Tony Keily proposes
a viewing list for anyone venturing into the world of creative/innovative
filmmaking on modest budgets. Q&A with BSE/theIFB on its
new production options. More
In
the Line of Fire Irish Film policy to date is the target.
Seamas McSwiney is the marksman.
More
The
Interferer Howard Hughes is all too often dismissed
as a psychotic oddball billionaire. He was all that, but, David
O'Mahony argues, he left an indelible stain on the history of
cinema.More
Bringing
Out the Def High Definition technology, seen by many
as key to the future of cinema, is currently being used on several
modestly budgeted Irish features. Vicki Parks investigates.More
To
Be or Not to Be – Independent Fiona Ashe attended New York's IFP Market,
where panels of industry insiders offered advice on anything
from selling your first script to marketing your first feature.More
Súil
Nua Paying special attention to Oscailt and Lasair,
Ruth Lysaght looks at what Irish language film has achieved
to date, and where it might go in the future.
More
Digital
Revelations in South Central LA Sophie Fiennes is an emerging documentarist
with a very personal working method. Her Hoover Street Revival
applies this method to an exceptional case of ghetto evangelism.
More
Hard
Road to New York Lir Mac Cárthaigh studies the long
and troubled gestation of Martin Scorsese's Gangs of New
York.More
