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Issue 91: March/April 2003 - Contents:

Believers Believers
Thanks to the efforts of Michael Dwyer, Rory Concannon and David McLoughlin, the Jameson Dublin International Film Festival is ready to roll. Tony Keily talks to the organisers. More
2-Way Mirror

2-Way Mirror
Paula Shields reflects on the themes that have shaped the career of Neil Jordan, one of Ireland's foremost filmmakers, as seen through his latest work, The Good Thief.
More

Gratuitous Sax & Senseless Violins Gratuitous Sax & Senseless Violins
Lir Mac Cárthaigh explores the life and work of Bernard Herrmann, one of the greatest film composers of all time. More
Hero Cyan Dead Hero Cyan Dead
Tony Keily looks at cult film The Harder They Come; a witty, vivid and often shocking representation of Jamaican 'sufferah' society, which came equipped with an soundtrack that blew a hole in stereos across the world.
More
Don't Mess With The Music Don't Mess With The Music
Music Supervisor Tanya Sweeney gives essential advice to filmmakers working on modest budgets on how not to ruin a film with shoddy aural afterthoughts. More
S. ed. ition S. ed. ition
Tired of hearing from complaining filmmakers? An experienced script editor gives her account of just how hard it is to stay alive and operate inside the Irish audiovisual sector.
More
Actors' Inequities Actors' Inequities
Anyone looking at the international status of Irish culture might conclude that Irish performing artists are nurtured, by society and by government. As Josephine Conlon reports from the Actors' Equity Open Forum, this is not the case.
More
30 Years On 30 Years On
Ted Sheehy is currently putting the final touches to a retrospective of the Arts Council's contribution to Irish film over the last three decades. More
Breaching Fortress Europe Breaching Fortress Europe
Lukas Moodysson's Together and Fucking Åmål, were both well received; Neil Dowling warns audiences to expect something radically different from his bleak new offering, Lilja 4-Ever.
More
Passionate Passionate
Peter Keogh interviewed
Patrice Leconte in his own language on his new movie, L'Homme du train, his past work, the state of French cinema and his thoughts on filmmaking. More
    Web Exclusives! Web Exclusives!
Albert Maysles gives his reasons for shooting on digital rather than film, Hendrike Bake reports
from this year's Berlin Film Festival, plus reviews of Equilibrium, The Rules of Attraction and More. None of this material currently appeard in the print edition of Film Ireland. More