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Being
Jim Sheridan
Séamus Duggan talked to Jim
Sheridan about his latest film, In America. Séamus
also recently and coincidentally found a portal leading into
the man's brain, and brought back some of what he found there
for our attention.
In America takes as its starting
point Jim's emigration to New York in the early eighties,
his struggle to find work as an illegal immigrant and the
premature birth of his third child. It is not however a documentary
and although incidents are true to memory the film is clearly
a drama. Some elements of what actually happened were too
unbelievable to work in a film. Initial drafts of its script
were written by Jim's two daughters who were each the heroes
of their own scripts. In order to make the story work as a
film, Jim decided to use the early death of his brother as
a key element in the film. This means that one of the major
characters in the film is invisible, but he remains very real
for the other protagonists. In a sense we are journeying towards
making the dead child come alive so that the other characters
can say goodbye.
The journey to America is fraught with
difficulties and has a mythic resonance. After getting through
immigration to some extent because of the sympathy of the
officials for the loss the family has suffered they must then
go under water (by tunnel!) in order to reach their destination.
There are elements here of Orpheus in the underground, and
the Manhattan they arrive at is the world of a single building
which is a dark and frightening place. Junkies look for money
on the stoop and the place crackles with nervous tension.
The door to their apartment has more locks than Fort Knox
and on the way up to it they must pass a closed door with
keep away scrawled on it and a screaming man behind it.
The full article is printed in Film Ireland
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