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Bewitched
DIR: Nora Ephron WRI: Delia Ephron,
Nora Ephron PROD: Lucy Fisher, Penny Marshall, Douglas
Wick DOP: John Lindley ED: Tia Nolan, Stephen
A. Rotter DES: Neil Spisak CAST: Nicole Kidman,
Will Ferrell
Bewitched opens with
some elaborate and unnecessary set-piecing: Nicole Kidman
breathlessly introduces herself as Isabel, a kooky witch intent
on normality despite the condemnation of her playboy father
(quirkily played by a stalwart Michael Caine). A twitch of
the nose allows Isabel to create her ideal world without consequence,
but her flower-child attitude soon wears thin perhaps
due to a certain weariness on the part of Kidman. A girl in
every sense, Isabel should have been played by a wide-eyed
doe actress, rather than wasting the seasoned excellence of
such a thespian on such a badly expanded role. Sadly, Kidman
is tired and irritating in the character; Isabel is dull and
unmoving and, try though she might, Kidman cannot pull the
bland script and tired tale from the dredge of utter boredom
it has imbedded itself in.
Nora Ephron is generally notorious for directing
staggeringly average fodder of the 'chick-flick' variety,
and taking on the tornado that is Will Ferrell seemed like
the least obvious choice for such a safe-stepper. A whirling
dervish of comedic impulsiveness, Ferrell can only be controlled
by dint of extreme care and concentration; neither given excessive
space to play, nor reeled in too tightly. He works in part
because of the inherent 'Ferrell-ness' that has made his previous
ventures so hilarious: Anchorman would not have been
half the film were it not for his manic explosions, and bit
parts in Old School, Zoolander and Wedding
Crashers made comic-maybes into comic-masterpieces. He
rescues the movie from utter monotony, performing a good service
for Nicole Kidman: distracting from her inability to 'do'
comedy, and lightening the load of a weak script.
Ephron's direction lands itself squarely in
the category of ignorable: bright colours, fantasy lighting,
and a feel-good world where nothing bad impeaches on the happiness
of her characters. Bland and thoughtless though it is, the
story could have been rescued by a knowing, self-referential
script. Instead the writing borders on sickening nostalgia
(Ephron having a hand in that too), lamenting the America
of yesteryear, without actually representing any 'time' at
all. Genuinely funny moments are fitful and sporadic. Without
the bullet-like precision of Ferrell, laughs would have been
out the question and even he grates on the nerves at
times. Rather than work on controlling Ferrell to the degree
where he is comprehensible, Ephron seemed to give him full
reign, allowing him to exaggerate and overemphasise every
emotion while maintaining a comedic shtick that belies any
seriousness. His character therefore borders on the unrealistic
and overblown, a fault sadly apparent in other screen outings,
as Kicking & Screaming demonstrated so aptly.
Rather than amazing the audience with Ferrell's
energy, Ephron would have been better served allowing him
to expand the script with his insight into what actually
makes people laugh. Isabel's character would have benefited
from some life and sympathy injected by Kidman; her performance
in Dogville proved that the strangest of characters
can be dealt with lovingly in the hands of such an actress,
but perhaps the dismal script didn't allow much movement.
As it stands, the movie struggles with any real connection,
and comes across as a mish-mash of TV moments squashed together
to make up the time. The story is nonsensical and infuriatingly
pointless; the characters are wooden and badly formed; the
script alternately grates and bores.
All in all, Bewitched manages to
be a thoroughly missable movie
one that may not even
be destined for DVD success, owing to the bad word of mouth
that is sure to follow viewings. It was a well-conceived idea,
coupling nostalgia with a bit of modern day wink-wink-nudge-nudge,
and brings a much-loved television series to the big screen.
It fails, however, in its overall aspirations to appeal, and
stumbles massively in its efforts at comedic brilliance. In
the end, Bewitched amounts to a dull and unfunny attempt
at light viewing: not enough entertainment to be a comedy,
and not sickly-sweet enough to be a romance.
Sarah Griffin
Rated
PG (see IFCO
website for details)
Bewitched is released on 19th August 2005.
Bewitched
Official website
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