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Charlie
and the Chocolate Factory
DIR: Tim Burton WRI: Roald Dahl
(book), John August PROD: Brad Grey, Richard D. Zanuck
DOP: Philippe Rousselot ED: Chris Lebenzon
DES: Alex McDowell CAST: Johnny Depp, Freddie Highmore,
David Kelly, Deep Roy
For me it was never going
to be as good as the original, and it isn't. Burton aficionados
will sing the praises of Charlie and the Chocolate Factory,
declaring that Depp's Wonka is closer to what Dahl wrote,
that it is not a remake of the classic 1971 film, that Burton
remains truer to the text, and that the sum of these things
make for a much better adaptation.
For anyone still out there unaware of the book
or the original film, Charlie Bucket (Highmore) is a very
sweet boy who lives an impoverished life in a small house
with his loving parents (Bonham Carter & Taylor) and four
grandparents. Living under the shadow of the biggest chocolate
factory in the world, Charlie dreams of finding a golden ticket
in a Wonka bar - winning the chance to tour the factory and
meet the famously reclusive Willy Wonka. He miraculously finds
a golden ticket and meets up with the four other winners,
each one more selfish and nasty than the next. Charlie doesn't
know it, but meeting Willy Wonka will change his life forever
I am genuinely excited as I sit in a packed
Savoy One. My biggest fear for the film is that special effects,
CGI, and Tim Burton quirkiness will replace the heart and
soul that I associate with this story; my hope is that I will
feel an ounce of the wonder and exhilaration that I felt while
watching the original film. I am at a press screening where
those of us over the age of ten are in the minority - ah,
the under tens; the harshest critics of all! A small boy behind
me yells at the top of his lungs 'WOW' as a giant Wonka bar
fills the screen, it suddenly hits me that I will never be
properly able to evaluate this film, as I will never be able
to see it through the eyes of a child.
The opening title sequence dashes my hopes and
compounds my fears, here's the CGI I have been dreading. We
see a series of well-constructed but disappointing cartoon
like shots of the famous Wonka bar being made and packaged.
Relief comes quickly with 'real' shots of the dazzling gothic
industrial-style Wonka factory, complete with brown and pink
vintage delivery vans. I can breathe again; all is not lost.
It has to be acknowledged that Charlie and the Chocolate
Factory is most definitely not a remake of the 1971 Willy
Wonka & the Chocolate Factory, but rather a strong
new adaptation of the book. All good and well, but for me
Burton has taken the heart out of the story; the torturously
poor life of Charlie Bucket now seems unfittingly surreal,
complete with an unnecessarily Crooked House. It seems Burton
has deliberately taken out the pivotal moving moments of the
original and left us with a colder more alienated feeling.
Yes, the film is stunning, colourful, and surreal, but so
much focus has been placed on these components that story
and characterisation have been neglected.
Danny Elfman has indeed invented a wonderful
score, but in reverting back to Dahl's lyrics he has created
interesting musical breaks rather than songs to be treasured
forever. The songs and images of Mel Stuart's film are imbedded
deeply in the psyche of my generation; I can't imagine the
'Burton Songs' being remembered in twenty years time.
Depp brings a familiar silliness to Wonka's
character, a more approachable 'Chocolatier' than had been
expected, and Freddie Highmore portrays a perfectly pitched
Charlie Bucket, but there is no connection between them. Wonka
knows that Charlie is the 'one' from the moment they meet
and then we are just brought through the motions of eliminating
the four other children. The grandparents bring great comedy
to the family scenes, and David Kelly is superb as Grandpa
Joe. Special mention must be given to Deep Roy; there are
165 Oompa-Loompas in Burton's Charlie and the Chocolate
Factory and he plays every one of them. Some of the mystery
of Wonka is dissipated by the knowledge that he has parents,
or that he spent part of his adult life away form the factory
swashbuckling in the jungle - do we really need to know that
Willy had a past?
There are laughs to be had here, there
are visuals to be enjoyed, and ultimately there is a joyous
journey to be taken. However this film, unlike the book or
the 1971 film, fails to move or stir up emotion in the audience,
and no amount of CGI or special effects will ever replace
the genuine heart of a great story.
Vanessa Gildea
Rated
PG (see IFCO
website for details)
Charlie and the Chocolate Factory is released on 29th
July 2005.
Charlie
and the Chocolate Factory Official website
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