Review: Lakelands
Aoife Fealy takes a look at Robert Higgins and Patrick McGivney's debut feature.
Aoife Fealy takes a look at Robert Higgins and Patrick McGivney's debut feature.
In this Film Ireland Podcast, we chat with Rose Baker, Head Programmer of the Belfast festival, and writer-director Stroma Cairns, whose moving debut feature The Son and the Sea screens at the festival.
As Dog Day Afternoon marks its 50th anniversary, Dora Matijević revisits the film that turned a botched Brooklyn bank robbery into one of cinema’s most memorable stories, and pays tribute to John Cazale, and the performances that defined his brief but bright career.
Fresh from its Bournemouth International Film Festival debut, 'The Hook' is already making noise. Matthew Briody caught up with writer and director Thomas Beatty
Horror expert Conor Bryce is curating a very special list for Film Ireland this October.
Supported by RTÉ and Coimisiún na Meán, Birdsong is a piece of film that captured something wonderful. Now, writer and long-time Film Ireland contributor Emma Donnelly catches up with the film's producer, Ross Whitaker, to discuss the film's continued success
We take a look at some of the Irish films coming to screens in 2025. We’ll update films, premieres, release dates and platforms and add reviews and interviews as they come in.
In this Film Ireland podcast, Gemma Creagh talks to Writer/Director Alex Kayode-Kay and Executive Producer Roisin Kearney about their 2023 BAFTA-nominated film 'The Ballad Of Olive Morris'.
John Pearson casts an eye over Martin McDonagh’s much lauded film.
In this Film Ireland podcast, Gemma Creagh talks to Production Designer Ramsey Avery, whose credits include The Lord of the Rings: The Rings of Power, Guardians of the Galaxy Vol. 2, Spider-Man: Homecoming and Star Trek: Into Darkness.
Cian Geoghegan delves into Steven Spielberg's personal drama. The new film from Steven Spielberg, inarguably the most populist, mainstream filmmaker in the history of the medium, occupies a bizarre middle-space in the public sphere. Its autobiographical content, sure to be misconstrued as navel-gazing by cynical punters, locks it...
Kimberly Reyes was at Sundance and caught John Carney's Flora and Son and Laura McGann's The Deepest Breath.
In this Film Ireland podcast, Gemma Creagh chats to Conor McMahon, Writer/Director of Let the Wrong One In.