In this Film Ireland Podcast, we are delighted to welcome a very special guest host, Mark Hernandez. He chats with Emmy-winning filmmaker Marissa Aroy, discussing her inspiration, heritage and creative processes.
(Above photo by Tony Gavin via Boston Globe)
Marissa’s short film Recipe is screening at Imbolg: Women Who Terrify on 31st January, while her latest short film, The Parting (funded by the National Talent Academies), is about to have its world premiere at the Dublin International Film Festival on 20th February.
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Recipe (Talunang Manok)
Socorro, a domestic worker, heads home to the Philippines when her daughter goes missing, only to discover the bigger threat to her family’s well-being is her husband’s gambling addiction to cockfighting.

Marissa Aroy
Marissa is an award-winning filmmaker whose work spans over two decades in documentary storytelling. She received an Emmy for her PBS documentary Sikhs in America and an Emmy nomination for The Delano Manongs: Forgotten Heroes of the United Farm Workers, which highlights the critical yet overlooked role of Filipinos in the American labour movement. A Fulbright Scholar, Aroy was honoured with the inaugural Hatsuye Yamasaki Award for Visionary Leadership by the College of William and Mary, where she also served as the Asian Centennial Distinguished Film Fellow in Residence.
Her work extends beyond filmmaking to teaching and mentorship, having taught film at Trinity College Dublin, Berkeley City College, and The New School in New York, and now teaching New Media Studies at IADT in Dún Laoghaire. She has also contributed to Irish cinema through her leadership roles with Irish Screen America, the San Francisco Irish Film Festival, and as a board member of Women in Film and Television Ireland. She served as producer on the award-winning short film The Ferry that was shown on RTÉ and long-listed for the Oscars. Aroy’s projects reflect her commitment to amplifying marginalised voices and cultural heritage. She was commissioned by the Smithsonian Museum of American History in the US to create short films for the exhibition “How Can You Forget Me: Filipino American Stories.”
Her short film Recipe, previously titled (Losing Cock/Talunang Manok), is a suspenseful short film shot in the Philippines and edited by award-winning editor John Murphy (The Quiet Girl). This film will be shown at Imbolg: Women Who Terrify film festival, in Strand C at 2.30 pm on Saturday 31st January at Griffith College. She has another short film called The Parting that she directed, which will be in the Dublin International Film Festival on 20th February. She is currently working on another short film called Birthday Swim, for which she received funding from Dún Laoghaire–Rathdown’s First Frames.
Now based in Wicklow, Ireland, with her husband and filmmaking partner Niall McKay, Aroy continues to develop independent projects including the radio drama The Morrigan, a fictional radio drama about Ella Young that combines fantasy and history in early 20th century Ireland, which was broadcast on Dublin FM. They are also developing a historical documentary on the Philippine-American War. Her work reflects her passion for storytelling that bridges her Filipino, Irish and American identities. “I want someone to see our brown faces on the screen or behind the scenes and feel proud of who we are as a people,” she says, underscoring her dedication to creating art that inspires, entertains and empowers.
On Friday 30th – Saturday 31st January, Imbolg: Women Who Terrify Film Festival presents three blocks of murderous, blood-curdling and darkly unsettling short cinema, featuring local talent alongside shorts from around the world.


