Cannes Review: Two Prosecutors
Cannes critic and correspondent Shannon Cotter looks at Ukrainian director Sergei Loznitsa’s Cannes entry 'Two Prosecutors', a harrowing, engrossing look at the state of Russia during Stalin’s Great Purge.
Cork writer, critic and correspondent Shannon Cotter divides her time between the banks of the Lee and the red carpets and darkened cinemas of Cannes, London, and Venice.
Cannes critic and correspondent Shannon Cotter looks at Ukrainian director Sergei Loznitsa’s Cannes entry 'Two Prosecutors', a harrowing, engrossing look at the state of Russia during Stalin’s Great Purge.
Reporting from the sun-drenched French Riviera, our Cannes critic and correspondent Shannon Cotter catches Honey Don’t! on the big screen.
From the sunny French Riviera, our Cannes critic and correspondent Shannon Cotter braves the darkness to give you her take on Amélie Bonnin’s debut film 'Partir un Jour' ('Leave One Day')
Shannon Cotter hatches her verdict in her review of 'On Becoming a Guinea Fowl'.
Shannon Cotter looks to dysfunctional siblings in Element Pictures' drama 'September Says'.