Cannes Reviews: Partir un Jour (Leave One Day)
From the sunny French Riviera, our Cannes critic and correspondent Shannon Cotter braves the darkness to give you her take on Amélie Bonnin’s debut film 'Partir un Jour' ('Leave One Day')
Founded in 1946, the festival is now held annually at the Palais des Festivals et des Congrès. Irish cinema has featured across competition, sidebars, shorts & market screenings. The Wind That Shakes the Barley won the Palme d’Or, while The Lobster took the Jury Prize. Films including Garage, Vivarium, The Surfer and Kinds of Kindness have screened across Cannes sections. Recent and upcoming Irish-linked titles include Pillion, My Father’s Shadow, Saipan and Power Ballad.
From the sunny French Riviera, our Cannes critic and correspondent Shannon Cotter braves the darkness to give you her take on Amélie Bonnin’s debut film 'Partir un Jour' ('Leave One Day')
James Bartlett checks out the "charming and likeable" 'Faces Places', which screened at the 66th Melbourne International Film Festival.
Séamas McSwiney wraps up his reports from Cannes 2017.
Séamas McSwiney previews the 49th annual edition of the Cannes Film Festival’s Directors’ Fortnight section.
Ross Whitaker tells us about his experiences making Between Land and Sea and what he learned along the watery way.
Michael Lee casts a eye on claustrophobic drama.