Cannes Review: Left-Handed Girl
Reporting from Cannes, Shannon Cotter watches 'Left-Handed Girl' unfurl with quiet force, a luminous, street-level portrait of survival and shame in modern-day Taipei.
Founded in 1946, the festival is now held annually at the Palais des Festivals et des Congrès. Irish cinema has featured across competition, sidebars, shorts & market screenings. The Wind That Shakes the Barley won the Palme d’Or, while The Lobster took the Jury Prize. Films including Garage, Vivarium, The Surfer and Kinds of Kindness have screened across Cannes sections. Recent and upcoming Irish-linked titles include Pillion, My Father’s Shadow, Saipan and Power Ballad.
Reporting from Cannes, Shannon Cotter watches 'Left-Handed Girl' unfurl with quiet force, a luminous, street-level portrait of survival and shame in modern-day Taipei.
Shannon Cotter reports from Cannes, where Mascha Schilinski’s German epic 'Sound of Falling' premiered in the Official Selection. Spanning four generations of a single household, this film steers the director into a whole new league.
Reporting from the sun-drenched French Riviera, our Cannes critic and correspondent Shannon Cotter catches Honey Don’t! on the big screen.
From the sunny French Riviera, our Cannes critic and correspondent Shannon Cotter braves the darkness to give you her take on Amélie Bonnin’s debut film 'Partir un Jour' ('Leave One Day')
James Bartlett checks out the "charming and likeable" 'Faces Places', which screened at the 66th Melbourne International Film Festival.
Séamas McSwiney wraps up his reports from Cannes 2017.