Article: “A Film Should Not Mean. It Should Be.” Rouzbeh Rashidi
In this article, Rouzbeh Rashidi discusses his uncompromising approach to cinema, the ghosts within the image, and the ideas that continue to return throughout his work.
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Podcast: Dr Chanté Mouton-Kinyon (Daniel O’Connell: The Emancipator)
Recorded live at the Capital Irish Film Festival in Washington, D.C.,we talk film, history and politics with Dr Chanté Mouton-Kinyon, exploring Daniel O’Connell’s legacy and the Irish-Black cultural exchange.
Review: A Look Back at Sweet Country
A Western unlike any other, Sweet Country is a brutal but beautiful exploration of colonial violence in 1920s Australia. In this review from the archives, Ellen Murray considers Warwick Thornton’s powerful film & Sam Neill’s compelling performance as preacher Fred Smith.
Article: “Making a film like this is a celebration of the arrogance of youth” – Seán Treacy on Where We Left Off
From DIY ambition to professional filmmaking, Seán Treacy reflects on 'Save Me From Heaven', grief, and the next stage of his career at the Galway Film Fleadh.
State of the Arts: The Art Of The TV Spin-Off with Bill Prady (The Big Bang Theory, Stuart Fails To Save The Universe)
Des Doyle sits down with The Big Bang Theory co-creator Bill Prady to discuss his new series Stuart Fails to Save the Universe.
Article: It’s All for You – The 6(66) Most Diabolical Deaths in The Omen Series
Fifty years ago, a well-dressed diplomat unknowingly brought the Devil home in a baby basket, and horror cinema has never been the same since. Conor Bryce looks back at some of the franchise’s characters and their grisly ends.
Podcast: Camille Balsamo-Gillis Actor, Producer & Co-Founder of Pro Machina Practical FX Company
Actor, producer and Pro Machina co-founder Camille Balsamo-Gillis joins us live from RENDR 2026 to discuss practical effects, growing up on film sets, building a creative legacy, and bringing tactile filmmaking to blockbuster productions.
Article: “We Shouldn’t Have to Become Experts to Be Heard,” Niamh Mahony's film on Endometriosis
A short film giving voice to Ireland's unheard pain – Ana Paula Zazueta Rascón interviews Niamh Mahony.
Phoenix Spotlight in Collaboration with Film Ireland
Every two weeks, tune in to 92.5 Phoenix FM, where presenter and film expert Dáire Walsh delves into the wonderful world of film in partnership with Film Ireland. Listen back to his chat with Writer/Director Jeda de Brí & Actor Neill Fleming.
Irish Films of 2026
From podcasts to in-depth discussion and reviews, here's where we take a look at the Irish films released or broadcast in 2026.
State of the Arts Podcast: EP, Director, Writer Neasa Hardiman (Jessica Jones, Untamed) with Des Doyle
In this State of the Arts, Des Doyle sits down with exec producer, director, writer Neasa Hardiman to discuss her career across feature film & TV, & transition to large-scale, big-budget projects.
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Article: “A Film Should Not Mean. It Should Be.” Rouzbeh Rashidi
In this article, Rouzbeh Rashidi discusses his uncompromising approach to cinema, the ghosts within the image, and the ideas that continue to return throughout his work.
Review: Our Hero, Balthazar
A darkly comic tale of teenage ambition, performative activism, and an unlikely friendship, Norma Farley Bodie looks at 'Our Hero, Balthazar.'
Review: From the Human to the Inhuman
Rouzbeh Rashidi’s From the Human to the Inhuman offers an unusually intimate portrait of an experimental filmmaker attempting to make sense of his own practice. Ahead of his workshop, Neil Cadieux takes a look.
Review: Testing Limits Short Films at Gaze
Sleek, sexy, and thrilling: Khushi Jain reviews the Testing Limits shorts block at Gaze.
Podcast: Dr Chanté Mouton-Kinyon (Daniel O’Connell: The Emancipator)
Recorded live at the Capital Irish Film Festival in Washington, D.C.,we talk film, history and politics with Dr Chanté Mouton-Kinyon, exploring Daniel O’Connell’s legacy and the Irish-Black cultural exchange.
Review: A Look Back at Sweet Country
A Western unlike any other, Sweet Country is a brutal but beautiful exploration of colonial violence in 1920s Australia. In this review from the archives, Ellen Murray considers Warwick Thornton’s powerful film & Sam Neill’s compelling performance as preacher Fred Smith.