Review: Primetime
On the ground at Venice, Shane McKevitt explores Lance Oppenheim’s Primetime, which probes the uneasy line between journalism and exploitation.
Shane McKevitt is a writer, filmmaker, and doctoral student at Trinity College Dublin, where he earned his B.A. in English and MPhil in screenwriting. He recently co-wrote his first feature, which is now in post production. He also has worked as a script supervisor, production assistant, and script reader. Currently, he writes for Film Ireland and Final Cut Magazine, including coverage of the Venice Film Festival, Brussels Independent Film Festival, and Venice Film Week.
On the ground at Venice, Shane McKevitt explores Lance Oppenheim’s Primetime, which probes the uneasy line between journalism and exploitation.
In this special Film Ireland Podcast with Cork International Film Festival, we chat with Festival Director Aurélie Godet and filmmakers Brendan Canty (Gealtra) and David Kittredge (Boorman and the Devil).
In this review, Shane McKevitt is possessed to write about filmmaking documentary Boorman and the Devil.
On the ground in Venice, Shane McKevitt takes the measure of 'After the Hunt'.
Reporting on the ground in Venice, Shane McKevitt electrifies in his review of 'Frankenstein'.
Venice Correspondent Shane McKevitt makes a beeline for Bugonia.